Kamis, 31 Oktober 2013

A Tale of Two Cities, by Charles Dickens

A Tale of Two Cities, by Charles Dickens

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A Tale of Two Cities, by Charles Dickens

A Tale of Two Cities, by Charles Dickens



A Tale of Two Cities, by Charles Dickens

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Charles Dickens' classic story, A Tale of Two Cities, is set before and during the French Revolution. The people are not only divided by class, but by war. It shows the cruelty shown by both sides of French society towards one another and compares these act to those happening in London in the same time period. Listeners are sure to enjoy this timeless narrative.

A Tale of Two Cities, by Charles Dickens

  • Amazon Sales Rank: #2871769 in Books
  • Published on: 2015-10-06
  • Released on: 2015-10-06
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.04" h x 1.13" w x 6.04" l,
  • Running time: 1003 minutes
  • Binding: MP3 CD
A Tale of Two Cities, by Charles Dickens

From School Library Journal Grade 9 Up—Charles Dickens's classic tale of one family's suffering during the French Revolution is brought to life in this audio adaptation. The voice of Audie Award-winning narrator Simon Vance sets the tone for the characters and creates the Dickensesqe mood of the times when the rich and the poor were far apart and no one was exempt from the ensuing wrath during the Revolution. Vance's stone varies from soothing to animated while creating different voices for the characters and using appropriate accents. A bonus feature on the last CD is an e-book in pdf format that can be printed or used as a read-along while listening to the audio. This easily navigated feature would be particularly helpful for struggling readers.—Jeana Actkinson, Bridgeport High School, TX Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review “[A Tale of Two Cities] has the best of Dickens and the worst of Dickens: a dark, driven opening, and a celestial but melodramatic ending; a terrifyingly demonic villainess and (even by Dickens’ standards) an impossibly angelic heroine. Though its version of the French Revolution is brutally simplified, its engagement with the immense moral themes of rebirth and terror, justice, and sacrifice gets right to the heart of the matter . . . For every reader in the past hundred and forty years and for hundreds to come, it is an unforgettable ride.”—Simon Schama

From the Publisher The classic, definitive, world-famous Nonesuch Press edition of 1937, finally available again and bound in leather and linen. The text in these stunning volumes is taken from the 1867 Chapman and Hall edition, which became known as the Charles Dickens edition and was the last edition to be corrected by the author himself. The Nonesuch edition contains full-color illustrations selected by Dickens himself, by artists including Hablot Knight Browne ("Phiz"), George Cruikshank, John Leech, Robert Seymour, and George Cattermole. The Nonesuch Dickens reproduces the original elegance of these beautiful editions. Books are printed on natural cream-shade high quality stock, quarter bound in bonded leather with cloth sides, include a ribbon marker, and feature special printed endpapers. Each volume is wrapped in a protective, clear acetate jacket. The books are available as individual volumes, or as sets. The six-volume set contains Oliver Twist, Bleak House, Christmas Books, Nicholas Nickleby, David Copperfield, and Great Expectations together with Hard Times. The three-volume set contains A Tale of Two Cities, Little Dorrit, and The Life and Adventures of Martin Chuzzlewit.


A Tale of Two Cities, by Charles Dickens

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723 of 774 people found the following review helpful. An Eighth Grader reviews A Tale of Two Cities By A Customer This book is incredible. I read it last year (in eighth grade), and I love it. I love Charles Dickens' language and style. Whoever is reading this may have little or no respect for my opinions, thinking that I am to young to comprehend the greatness of the plot and language, and I admit that I probably do not completely appreciate this classic piece of literature. I do read above a 12th grade level, although that doesn't count for a whole lot. It took me a while to get into this book. In fact, I dreaded reading it for a long time. But nearer to the end, I was drawn in by the poignant figure of a jackal, Sydney Carton. In his story I became enthralled with this book, especially his pitiful life. After I read and cried at Carton's transformation from an ignoble jackal to the noblest of persons, I was able to look back over the parts of the book that I had not appreciated, and realize how truly awesome they are. I learned to appreciate all of the characters, from Lucy Manette to Madame Defarge. I also was affected by all of the symbolism involved with both the French Revolution, and the nature of sinful man, no matter what the time or place. My pitiful review could never do justice to this great book, please don't be discouraged by my inability.

232 of 253 people found the following review helpful. A Tale of Two Cities By mp The more Dickens I read, the more impressed I become at his skill as a writer. No matter the form, be it short, long, or a monolith like some of his best works, Dickens excels at changing his style of characterization and plot to fit whatever mode he writes in. "A Tale of Two Cities" is one of his shorter novels, and he manages to make the most of out of the allotted space. The compression of the narrative sacrifices Dickens's accustomed character development for plot and overall effect, but what we get is still phenomenal."A Tale of Two Cities" begins in 1775, with Mr. Lorry, a respectable London banker, meeting Lucie Manette in Paris, where they recover Lucie's father, a doctor, and mentally enfeebled by an unjust and prolonged imprisonment in the Bastille. This assemblage, on their journey back to England, meets Charles Darnay, an immigrant to England from France who makes frequent trips between London and Paris. Upon their return to England, Darnay finds himself on trial for spying for France and in league with American revolutionaries. His attorney, Stryver, and Stryver's obviously intelligent, if morally corrupt and debauched, assistant, Sydney Carton, manage to get Darnay exonerated of the charges against him. Darnay, a self-exiled former French aristocrat, finds himself compelled to return to France in the wake of the French Revolution, drawing all those around him into a dangerous scene.Dickens portrays the French Revolution simplistically, but powerfully, as a case of downtrodden peasants exacting a harsh revenge against an uncaring aristocratic, even feudal, system. The Defarge's, a wine merchant and his wife, represent the interests of the lower classes, clouded by hatred after generations of misuse. Darnay, affiliated by birth with the French aristocracy, is torn between sympathy for his native country in its suffering, and his desire to be free of his past."A Tale of Two Cities" is a novel driven by historical circumstance and plot, much like the works of Sir Walter Scott, wherein the characters themselves assert less agency, finding themselves forced to deal with the tide of epic events. Richard Maxwell's introduction to this newest Penguin edition does a good job outlining the themes of doubling and literary influence that Dickens works with. One specific influence I discerned in reading "A Tale" that Maxwell doesn't metion is Edmund Burke's "Reflections on the Revolution in France," which if nothing else, gives the feeling that the rampant violence of the early revolution and the later Reign of Terror has brought about an irreversible change in human nature. While Dickens remains cautiously optimistic throughout the novel that France can recover, the tone of the novel speaks to the regression of humanity into a more feral, primal state, rather than advertise any real hope for its enlightened progress.Despite the supposed dichotomy between England and France in the novel, Dickens seems to suggest throughout that there are no real differences, due to the way that human nature is consistently portrayed. With England in between two revolutions, American and French, Lucie's sensitivity early in the novel to hearing the "echoing" footsteps of unseen multitudes indicates a palpable fear that the "idyllic" or "pastoral" England he tries to portray is not exempt from the social discontent of America or France. In this light, stolid English characters like Miss Pross, Jerry Cruncher, and Jarvis Lorry appear to almost overcompensate in their loyalty to British royalty. In a novel that deals with death, religion, mental illness, I could go on and on for a week, but I won't. One of those novels whose famous first and last lines are fixed in the minds of people who've never even read it, "A Tale of Two Cities" demands to be read and admired.

156 of 169 people found the following review helpful. It is the best of books, it is the worst of books.... By Newton Ooi I was first introduced to this book when I was 14 years old in my 8th grade English class. I found it utterly overwhelming; in its cast, its plotlines, its settings, its themes and most of all, in the intricate web the various relationships create. I only understood three things about this book. First, the two cities are London and Paris. Second, France was convulsing itself with the French Revolution while England was undergoing changes that would prepare it to enter the Industrial Revolution. Third, English in Dickens' time did not resemble English at the end of the 20th century, but somehow seemed similar to the English used in Hollywood epic movies from the 1950s and 1960s like Spartacus, Ben-hur, the Ten Commandments, Cleopatra, etc...Years later, I picked up this book and reread it. I considered this a labor, not of love, but of duty. This book is so famous and used so often in English literature classes that I felt I had to read it again for a deeper understanding. What I got from this book a 2nd time around is a profoundly subtle yet accurate sociological and psychological study of what happens to a society and a community that is built on shaky foundations. Specifically, France was an aristocracy where a tiny minority owned all the land. The rest of society was organized into tiers that varied in their opportunities of becoming landowners. Because of this pyramid structure, most of the people hewed to the social order knowing that yes they get crapped on by those above them, but there's always somebody below them to take advantage of.Eventually this social Ponzi scheme comes to a screeching halt with the French Revolution. Enough people have had enough that they decide to start over. In the process a lot of people get killed and a lot of property changes hands. So woven into this story of a society's collapse are individual tales of woe, revenge, sacrifice, retribution, love and lust. Some are wrongly imprisoned or executed, while others willingly trade places to free those who have been marked for punishment. Families are torn asunder, and friendships are made and betrayed.Overall, this book is a classic; though not appropriate for anyone not in their mid-teens yet. Its careful depiction of a society warrants its reading for those interested in 18th century Western history. But it should be read with notes and study guides for its depth and complexity can easily lose the interest and focus of many readers.

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A Tale of Two Cities, by Charles Dickens

A Tale of Two Cities, by Charles Dickens

A Tale of Two Cities, by Charles Dickens
A Tale of Two Cities, by Charles Dickens

Selasa, 29 Oktober 2013

A Child's Garden Of Verses: Color Illustrated, Formatted for E-Readers (Unabridged Version),

A Child's Garden Of Verses: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Robert Louis Stevenson

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A Child's Garden Of Verses: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Robert Louis Stevenson

A Child's Garden Of Verses: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Robert Louis Stevenson



A Child's Garden Of Verses: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Robert Louis Stevenson

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Formatted for E-Readers, Unabridged & Original version. You will find it much more comfortable to read on your device/app. Easy on your eyes. Includes: 15 Colored Illustrations and Biography A Child's Garden of Verses is a collection of poetry for children by the Scottish author Robert Louis Stevenson. The collection first appeared in 1885 under the title Penny Whistles, but has been reprinted many times, often in illustrated versions. It contains about 65 poems including the cherished classics "Foreign Children," "The Lamplighter," "The Land of Counterpane," "Bed in Summer," "My Shadow" and "The Swing." The classical scholar Terrot Reaveley Glover published a translation of the poems into Latin in 1922 under the title Carmina non prius audita de ludis et hortis virginibus puerisque.

A Child's Garden Of Verses: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Robert Louis Stevenson

  • Amazon Sales Rank: #93172 in eBooks
  • Published on: 2015-10-22
  • Released on: 2015-10-22
  • Format: Kindle eBook
A Child's Garden Of Verses: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Robert Louis Stevenson

Review Poems Stevenson originally wrote for his children are beautifully illustrated in this appealing volume. --Yellow Brick Road

From the Inside Flap First published in 1885, Stevenson's verses so truly reflect the feelings of young children--about being small, the bliss of going up in a swing so high, discovering one's shadow, happiness and sorrow and dreaming--that they have never ceased to be an essential part of a child's library. Robinson's beautiful pictures originally appeared in 1896 in the first illustrated edition.

From the Back Cover 'The world is so full of a number of things, I'm sure we should all be happy as kings.'This classic collection of poems, beautifully illustrated by Brian Wildsmith, recreates the happy and magical world of childhood.


A Child's Garden Of Verses: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Robert Louis Stevenson

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83 of 86 people found the following review helpful. A classic for any child (or child at heart) By Catherine S. Vodrey This classic edition of Robert Louis Stevenson's "A Child's Garden of Verses" is justly famed because it so beautifully pairs Stevenson's sometimes exuberant, sometimes melancholy poems on childhood with the extraordinary illustrations of Tasha Tudor.Tudor's delicate watercolors complement Stevenson's work almost to the point that you think the two, living in different centuries, must share some time-travel telepathy with each other. All the classic Stevenson pieces are here: "The Swing," "The Land of Counterpane," the terrific poem about a child's shadow. Tudor depicts only children and animals herein--as it should be--without the presence of shadow of adults anywhere. Both Stevenson and Tudor understand in their bones that no matter what grown-ups may think, children inhabit a world of their own. That world is mostly beautiful, but sometimes fraught with danger or questions. Those hints are present here, but the overwhelming impression any reader will have will be that of beauty--both in words and in pictures.

53 of 54 people found the following review helpful. wonderful poems that will stay with you By A. Creech Like many others, I first read these poems as a very young child. I didn't realise until rereading them just recently how many of them had stayed with me. The poems all deal with sounds, sights and emotions that will be familiar to most young children. And as an adult, the poetry of Robert Louis Stevenson brings back that sense of wonder and amazement that many of us lose as we grow older. One of the poems that I will always remember deals with how difficult it is to go to bed when you are told in the summer when the days are long and the sun is still out. who doesn't remember this?The illustrations in this particular edition, by Tasha Tudor, capture perfectly the childhood world of the poetry--the imagination in play is wonderfully portrayed. Remember when the space under the table became a cave, or a castle, or a spaceship? These poems and the accompanying illustrations deal with these imaginary adventures that all children share in.Purchase this book and share it with other adults and with the children in your life. If it stays with you for the rest of your life, then you have gained a treasure.

41 of 42 people found the following review helpful. My Favorite Edition! By Linda Austin - MoonbridgeBooks This edition was a favorite of my sister and I when we were kids. RLS's poems are delightful, but Ms. Fujikawa's watercolor illustrations add such charm and lush detail... and she perfectly captured the multicultural children. I am now the family keeper of our well-worn treasure. This is the most delightfully illustrated version (in my opinion better even than the wonderful Tasha Tudor's).

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A Child's Garden Of Verses: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Robert Louis Stevenson

A Child's Garden Of Verses: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Robert Louis Stevenson

A Child's Garden Of Verses: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Robert Louis Stevenson
A Child's Garden Of Verses: Color Illustrated, Formatted for E-Readers (Unabridged Version), by Robert Louis Stevenson

Jumat, 25 Oktober 2013

Exiles in Time: The After Cilmeri Series, Book 5, by Sarah Woodbury

Exiles in Time: The After Cilmeri Series, Book 5, by Sarah Woodbury

Reading a publication Exiles In Time: The After Cilmeri Series, Book 5, By Sarah Woodbury is sort of very easy task to do each time you desire. Even reading whenever you really want, this activity will certainly not interrupt your various other tasks; many individuals typically review guides Exiles In Time: The After Cilmeri Series, Book 5, By Sarah Woodbury when they are having the extra time. Exactly what regarding you? Exactly what do you do when having the leisure? Do not you invest for pointless things? This is why you have to obtain the publication Exiles In Time: The After Cilmeri Series, Book 5, By Sarah Woodbury and aim to have reading practice. Reviewing this e-book Exiles In Time: The After Cilmeri Series, Book 5, By Sarah Woodbury will certainly not make you useless. It will certainly give much more perks.

Exiles in Time: The After Cilmeri Series, Book 5, by Sarah Woodbury

Exiles in Time: The After Cilmeri Series, Book 5, by Sarah Woodbury



Exiles in Time: The After Cilmeri Series, Book 5, by Sarah Woodbury

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Two years in Afghanistan; four years working for MI5, the British security service; and the death of both of his parents from cancer. At the age of 34, Callum thought he'd experienced the worst that life could throw at him. That was until his boss ordered him to open a buried file on his desk and to take it seriously. His new assignment: to detain and question a pregnant woman and her ailing husband - and, if need be, to stop them from returning to medieval Wales.

Until today Callum believed in his job and always followed orders. Until today he thought time travel wasn't real....

Exiles in Time is a novel from the After Cilmeri Series.

Exiles in Time: The After Cilmeri Series, Book 5, by Sarah Woodbury

  • Amazon Sales Rank: #33889 in Audible
  • Published on: 2015-03-24
  • Format: Unabridged
  • Original language: English
  • Running time: 516 minutes
Exiles in Time: The After Cilmeri Series, Book 5, by Sarah Woodbury


Exiles in Time: The After Cilmeri Series, Book 5, by Sarah Woodbury

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13 of 14 people found the following review helpful. Excellent book in an excellent series! By Laurie Fleming I enjoyed this whole series. Exiles in Time took us to Scotland and gave the back story on another character introduced in the last book. I love how the author weaves in the love story with all the action, and that it is assumed and not overstated. Her characters are given more development with each situation but are still unpredictable enough to keep you wanting more. I hope the author continues to write books for this series.

12 of 14 people found the following review helpful. Excellent story as usual By Amazon-klant As I hadn't expected that there would be another book in the Cilmeri-series after 'Child in Time', I was pleasantly surprised when Sarah announced on her Facebook-page that there was a new book.Having enjoyed the other books immensely, I immediately bought it.'Exiles in Time' is about Callum, the MI5-agent who accidentally 'jumps' back in time with the others in the last book.Even though, it focusses on characters hardly featured in the other books, it was very easy for me to lose myself in the story and the main characters. And I came to like these characters quite as much as I did Anna, Meg and of course David.

10 of 11 people found the following review helpful. Exiles in Time By amos One or the best book series I have ever read. Exiles in Time may be the best book of the series yet.

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Exiles in Time: The After Cilmeri Series, Book 5, by Sarah Woodbury

Exiles in Time: The After Cilmeri Series, Book 5, by Sarah Woodbury

Exiles in Time: The After Cilmeri Series, Book 5, by Sarah Woodbury
Exiles in Time: The After Cilmeri Series, Book 5, by Sarah Woodbury

Senin, 21 Oktober 2013

She Dreams In Color, by Jenny Medenwald

She Dreams In Color, by Jenny Medenwald

She Dreams In Color, By Jenny Medenwald In fact, publication is actually a window to the globe. Even lots of people could not like checking out books; guides will still offer the specific info regarding reality, fiction, encounter, adventure, politic, faith, and also much more. We are here a site that provides compilations of publications greater than the book store. Why? We provide you bunches of varieties of link to get the book She Dreams In Color, By Jenny Medenwald On is as you require this She Dreams In Color, By Jenny Medenwald You can find this publication easily right here.

She Dreams In Color, by Jenny Medenwald

She Dreams In Color, by Jenny Medenwald



She Dreams In Color, by Jenny Medenwald

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In one swift, unfortunate moment, Elle Wynters loses everything - including her life - in a car crash. She awakens in a cemetery to find that she's dead, but is allowed to relive one day of her life - and only two days to decide. The spirits of the cemetery surround her, ready to help Elle transition from living to dead. As Elle meets various inhabitants of the cemetery, she realizes she was very naive in life. As her new reality falls apart, Elle wonders what really happened the night her truck skidded off the road. Is there really such a thing as life after death?

She Dreams In Color, by Jenny Medenwald

  • Amazon Sales Rank: #5434261 in Books
  • Published on: 2015-03-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .61" w x 6.00" l, .80 pounds
  • Binding: Paperback
  • 268 pages
She Dreams In Color, by Jenny Medenwald


She Dreams In Color, by Jenny Medenwald

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0 of 0 people found the following review helpful. Edgy and entertaining By Katie Sutton Another fantastic book by Jenny Medenwald! Cannot wait for the next one! Will be anxiously awaiting anything else this author decides to publish!

0 of 0 people found the following review helpful. Fabulous Story! By Lisa Arickx This was a great story with a very interesting ending! Definitely keeps you thinking! This was a page turner, I couldn't put it down!

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She Dreams In Color, by Jenny Medenwald
She Dreams In Color, by Jenny Medenwald

Kicking Sawdust0, by Beverley Andi

Kicking Sawdust0, by Beverley Andi

Kicking Sawdust0, By Beverley Andi. A work might obligate you to constantly improve the expertise and also experience. When you have no enough time to enhance it straight, you could get the encounter as well as understanding from reviewing the book. As everybody knows, publication Kicking Sawdust0, By Beverley Andi is popular as the window to open the world. It means that reading book Kicking Sawdust0, By Beverley Andi will give you a brand-new way to discover every little thing that you require. As the book that we will offer below, Kicking Sawdust0, By Beverley Andi

Kicking Sawdust0, by Beverley Andi

Kicking Sawdust0, by Beverley Andi



Kicking Sawdust0, by Beverley Andi

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In the summer of 1858 Rebecca Williams, a feisty British circus performer becomes the first woman bareback rider in America. But she has a dark secret that could ruin her career. Though she tries to be career oriented, she is besotted by the circus manager, Ethan Delahand. The debonair Ethan, a partner in the Eagle Circus, becomes smitten with the lissome Rebecca. As their romance smolders, Rebecca’s real identity is discovered. Penniless and fearing prison, she runs. In a state of despair, he hires a detective to find her. He finally places a notice in newspapers. When she reads the notice she’s stunned and leaves immediately for his home only to discover he is gone.

Kicking Sawdust0, by Beverley Andi

  • Amazon Sales Rank: #3373529 in eBooks
  • Published on: 2015-03-04
  • Released on: 2015-03-04
  • Format: Kindle eBook
Kicking Sawdust0, by Beverley Andi


Kicking Sawdust0, by Beverley Andi

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1 of 1 people found the following review helpful. "Mistress? Do you really think I'd have a mistress in my parents' home?' By Grady Harp North Carolina author Beverley Andi was born in New York City but for the early portion of her career she worked in Westchester County in the fields of Public education and designing educational programs for historical sites and art museums with positions as Director of the Scarsdale Historical Society, Scarsdale, NY, Coordinator of Educational Services, Neuberger Museum of Art, Purchase, NY, and Weekend Manager of the Katonah Museum of Art, Katonah, NY. Of interest for this book KICKING SAWDUST Beverley volunteered at the Somers Historical Society, Somers, NY doing research on the early American circus - research that led to this novel. Now her focus is on writing historical romance novels and she is a member of the Romance Writers of America and the Heart of Carolina Romance Writers.Beverely writes in the style of the period in which she defines - in the case of this novel that period is the mid 19th century and she is able to recreate (likely from her fascination with American history and artifacts) the language and he social customs and the atmosphere of the era. Early on in the book there is a passage the dines her art: `July 1858 The Adirondack Mountains, NY The early morning breeze drifted along Ethan Delahand's face. He leaned back on the bench outside the train station and looked at his pocket watch for the second time. Damnation, the train was now a half hour late. Ethan looked through the window of the door, but he didn't see her face. What he saw was a very pleasing rump under a heap of blue silk. He smiled at the curved buttocks as its owner bent to clean scuff marks off her satchel with a hankie. She wasn't wearing a lot of petticoats, so her figure showed itself as nicely rounded and mighty firm. She was talking under her breath. Did he hear an English accent? Ethan was about to chuckle when Mrs. Williams suddenly stood up. Her profile took his breath away. She was a little thing, no higher than his shoulder, with delicate features and porcelain skin. Her chestnut hair, done up in a knot with soft curls hanging around her face, held hints of auburn in the buttery light of the morning. Her jaunty silk bonnet was tied with a ribbon under her chin. It was stylish but plain without those confounded ruffles and beads that he detested but ladies adored. Her gown and hat were in his favorite color: robin egg blue. It was somewhat of a lost pleasure to look at such an elegant beauty, so he took his time.' And that flavor persists through the novel.The story is a romance: `In the summer of 1858 Rebecca Williams, a feisty British circus performer becomes the first woman bareback rider in America. But she has a dark secret that could ruin her career. Though she tries to be career oriented, she is besotted by the circus manager, Ethan Delahand. The debonair Ethan, a partner in the Eagle Circus, becomes smitten with the lissome Rebecca. As their romance smolders, Rebecca's real identity is discovered. Penniless and fearing prison, she runs. In a state of despair, he hires a detective to find her. He finally places a notice in newspapers. When she reads the notice she's stunned and leaves immediately for his home only to discover he is gone.' Sharing how Rebecca resolves her history and arrives at a happy ending would be a spoiler. This is a light novel, sure to delight readers of historical romance. Grady Harp, April 15

0 of 0 people found the following review helpful. Great historical romance By Dan Clarke Kicking Sawdust is a great little historical romance. Having never heard of Beverly Andi, I borrowed this book from a friend with some trepidation, historical fiction is so easy to mess up with poor research and pushing modern social mores into places where they really don't fit, that even though I love them there's always that worry that things will be impossible to believe.This wasn't the case here.Because of the focus on the circus itself, which was set apart from regular society, the parts of the story that didn't quite fit the time are easily forgivable, and possibly quite accurate. And the vivid descriptive writing, fantastic characters and a look into a way of life that doesn't exist anymore will draw anyone into the story.Rebecca and Ethan are both fully realized characters, the way they interact, the romance, the lively conversations, and the descriptions are superb. One thing I particularly loved, was that unlike so many books where the main characters don't share critical details, simply because they're tongue tied, and lament the fact that they can't share something that has to be said, the secret Rebecca has is truly important. If she told Ethan everything about herself, her life would potentially be over, and that isn't simple hyperbole. This makes the awkward ways they sometimes interact and her wishing to talk freely a little sad rather than a trite cliche.Five stars.

0 of 0 people found the following review helpful. Run Away and Join the Circus By Marta Cheng Back in the 1800’s and early 1900’s, circuses consisted of performers, animals, trainers, grifters and those behind the scenes that audiences never saw – the ones who took down the tents and set them up and did the million or so odd jobs required in order to make a circus function. These men, and sometimes women, had usually joined up with a circus because they had secrets to hide or were trying to escape their past. Rebecca Williams, the lovely protagonist in Beverley Andi’s historical romance, Kicking Sawdust, also has a secret – a secret that could potentially destroy her. She’s the newest act in the Eagle Circus, a circus that’s co-owned by the handsome and well-to-do, Ethan Delahand. The attraction between the two protagonists is immediate but it’s effectively hidden at first by a blur of petticoats, a flutter of lashes and behind spates of coy and witty repartee. The book is aptly named and the smell of sawdust and grease paint almost tangible as the reader is transported to another time and place when propriety and wealth were sought-after commodities, second only to good manners and breeding. Kicking Sawdust has romance, adventure, intrigue and engaging characters that both charm and endear. All in all, Beverley Andi has researched her subject matter well, giving us a story that is sure to charm romantics and historical romance lovers alike. A wonderful read, through and through.

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Sabtu, 19 Oktober 2013

Famous Modern Ghost Stories, by Dorothy Scarborough

Famous Modern Ghost Stories, by Dorothy Scarborough

When getting the e-book Famous Modern Ghost Stories, By Dorothy Scarborough by online, you can review them any place you are. Yeah, also you are in the train, bus, waiting listing, or other locations, online e-book Famous Modern Ghost Stories, By Dorothy Scarborough could be your excellent pal. Every time is a great time to check out. It will improve your expertise, fun, entertaining, driving lesson, and encounter without investing more money. This is why on the internet e-book Famous Modern Ghost Stories, By Dorothy Scarborough becomes most wanted.

Famous Modern Ghost Stories, by Dorothy Scarborough

Famous Modern Ghost Stories, by Dorothy Scarborough



Famous Modern Ghost Stories, by Dorothy Scarborough

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Ghosts are the true immortals, and the dead grow more alive all the time. Wraiths have a greater vitality to-day than ever before. They are far more numerous than at any time in the past, and people are more interested in them. There are persons that claim to be acquainted with specific spirits, to speak with them, to carry on correspondence with them, and even some who insist that they are private secretaries to the dead. Others of us mortals, more reserved, are content to keep such distance as we may from even the shadow of a shade. But there's no getting away from ghosts nowadays, for even if you shut your eyes to them in actual life, you stumble over them in the books you read, you see them on the stage and on the screen,

Famous Modern Ghost Stories, by Dorothy Scarborough

  • Published on: 2015-10-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.00" l, .78 pounds
  • Binding: Paperback
  • 262 pages
Famous Modern Ghost Stories, by Dorothy Scarborough

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1 of 1 people found the following review helpful. A good introduction to the classics By Nerine Dorman It's sometimes both awesome and awful to return to the classics and see where the roots of horror lie, and this anthology is no exception. Since we live in an age where we suffer from an overabundance of information, it is far easier for authors to gain an understanding of the trends within particular genres.Having read this collection of short fiction, I can clearly judge how the genre has grown in depth and, also, has devolved. That which is it's boon in contemporary times is also its curse. Not all stories that are released onto today's market are ready for publication.And, likewise, looking back at the stories in this volume, not all of the tales are paragons of literary greatness. That being said, I do believe it important for us to be able to look backward and see how far we have come. The short story, as a form, is so vital to fiction, since it creates a literary snapshot of a time and place. And especially so to those who're interested in a particular era.So, Famous Modern Ghost Stories is a bit of a mixed bag. If I'm going to be objective, I'll state flat out that some of the authors come across like people I probably wouldn't want to hang out with in present times. There were, however, a number of stories that did stand out from the pack."The Willows" by Algernon Blackwood deserves its place in the classics section. What starts out as a travelogue in the spirit of high adventure, quickly decays into a tense and decidedly weird and frightening dilemma. The creeping horror is not so much the supernatural phenomena, but rather Blackwood's fantastic evocation of the environment. His world building is masterful, and I got sweaty palms at the parts where the characters were in a race against nature's inexorable flow. It's man versus environment, and the realisation that there is little to separate us from complete catastrophe."Lazarus" by Leonid Andreyev is unrelenting in its crushing misery. To be honest, I was startled by the choice in subject matter, of taking a biblical story and subverting it so. Therein lay the horror. Sometimes the dead should remain dead."Ligeia" by Edgar Allan Poe, of course, is a treat in all his wonderful wordiness, followed closely by another favourite (and highly underrated) Guy de Maupassant, whose "A Ghost" is suitably atmospheric.The majority of the other stories didn't really grab me by my short and curlies. There were even a few where I sat back and asked, "What's the point?" We really have come far with the short story as a form.So, my advice—this slim tome will interest those who would like to dip into vintage horror for the first time or who would like to lay hands on a particular story. I certainly enjoyed this collection and feel it's a keeper that has pointed me in the direction of further reading.

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Kamis, 17 Oktober 2013

The Boy Who Lost Fairyland, by Catherynne M. Valente

The Boy Who Lost Fairyland, by Catherynne M. Valente

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The Boy Who Lost Fairyland, by Catherynne M. Valente

The Boy Who Lost Fairyland, by Catherynne M. Valente



The Boy Who Lost Fairyland, by Catherynne M. Valente

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When a young troll named Hawthorn is stolen from Fairyland by the Red Wind, he becomes a changeling-a human boy-in the strange city of Chicago, a place no less bizarre and magical than Fairyland. Left with a human family, Hawthorn struggles with his troll nature and his changeling fate, while attending school and learning about human kindnesses-and un-kindnesses.

In a starred review, Kirkus noted, "Every page of this book contains at least one stunning sentence. Valente's descriptions of the human world make it sound like an exotic place, even when she just lists things to see: "diamonds and dinosaur bones and Canadian geese and the Cathedral of Notre Dame and ballpoint pens." Readers may wish the words were food, so they could eat them up. And they may keep reading this series for just as long as people have been arguing about Oz."

Time magazine has praised Catherynne M. Valente's Fairyland books as "one of the most extraordinary works of fantasy, for adults or children, published so far this century." In this fourth installment of her saga, Valente's wisdom and wit will charm readers of all ages.

The Boy Who Lost Fairyland, by Catherynne M. Valente

  • Amazon Sales Rank: #185056 in Books
  • Brand: Valente, Catherynne M./ Juan, Ana (ILT)
  • Published on: 2015-03-03
  • Released on: 2015-03-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.52" h x .89" w x 6.48" l, .0 pounds
  • Binding: Hardcover
  • 240 pages
The Boy Who Lost Fairyland, by Catherynne M. Valente


The Boy Who Lost Fairyland, by Catherynne M. Valente

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8 of 8 people found the following review helpful. second in a row in this series that's disappointed, weak three By B. Capossere The Boy Who Lost Fairyland is the fourth in the FAIRYLAND series by Catherynne M. Valente, and the second in a row that has been somewhat of a disappointment and the first whose strengths I thought were not enough to fully overcome its flaws.Valente takes a bit of a risk here in book four, shifting focus from her primary protagonist, September and her friends, to a whole new cast of characters. The titular “boy” of the book is Hawthorn, a young troll scooped up by the Red Wind and dropped off in our world as a changeling, where he lives as a “Not Normal” boy for some years before encountering Tam, another changeling. Eventually, the two of them realize their true selves and make their way back to Fairyland, and it is there that their story will intersect with September’s, although not until the very end.To begin with the positives, Valente’s trademark whimsy and linguistic/creative ingenuity are on their usual full display here, as we are treated to a host of wholly original creations: a Sunday Dinner tree, a walking/talking gramophone, albino moose with barbed tails, “a cutlass named Hush, a ship made of jester’s caps, and … twenty levitating hyenas who couldn’t say the word yes as they’d been cursed by the Khan of Zebras.”Even better though, then her inventive descriptions of Fairyland is how Valente takes our mundane world and, by showing it through the eyes of the young Hawthorn (now named Tom in his human form), turns it into a fairyland filled with its own fantastical actions and objects, as when he thinks of his mother’s special brand of magic:She could make music come out of a great brass thing in the parlor that looked like a horn of plenty but wasn’t one. She could make blue fire roar out of the stovetop anytime she pleased. She could make hot milk or cocoa or caramel or porridge appear inside a silver saucepan — he never knew which it would be … [she] would lay her finger alongside her nose, and then tap his, and say: “Magic!” … “ Gwendolyn said it when she produced a new toy that he hadn’t seen her making …when she made all the lights come on at once with one touch of her little finger to the wall or when his wooden train carriages went spinning around their wooden track with no one touching them.Climbing into the head of this new-to-our-world outsider (aren’t all children this?), Valente makes us see the wonders of the world around us in a new, well, magical light.Another plus is how despite the above magical description, she does not shy away at all from painting Tom’s experiences in this world in a darker, much more sad light. He does not, after all, fully belong here (don’t all children sometimes feel this?) and he unconsciously takes out this feeling on the things around him, and so “The childhood of Thomas Rood was full of broken things.” He tears down curtains, takes a hammer to the flagstone path, tears apart stuffy animals, “weep [s] in fits of frustration.” All because “All his life he had known that something was wrong. It was only that he did not know what it was. He felt all the time as though there were another boy inside him, a bigger boy … a boy who knew impossible things … But whenever he tried to let that boy out, he was only Thomas, red-faced, sputtering, gangly, clench-fist Thomas.”Valente has never been one to sugar coat her worlds, even (perhaps especially) in her books aimed as much at children as adults, and much of this is truly painful: his father’s disappointed acknowledgment that Thomas was “Not Normal,” his acting-out of his frustrations, his “Rules of the World”, a list of behaviors and knowledge he must write down and teach himself even though “Other children understood them easily. Normal Children.”But despite the moving sections on Tom’s frustrations and the general fecundity of Valente’s imagination, as mentioned, the book was mostly a disappointment for me. One reason is that all those rich, fertile inventions of fairies and places and strange animals and pencil magic and trees and post offices and special shoes and and and felt early on to be more of a exhaustive catalog of “neat strange things” than part of the narrative. It was not far into the book before I was telling myself, “Not everything needs to be list” —a list of metaphors, of images, of cool creatures, etc. It all felt overly manic. The nearest analogy I can come up with is how some sci-fi/fantasy movies will throw in a bunch of special effects because they can, but those effects do not serve plot or character or tone; they’re just neat effects.Another issue I had was that save for the early section in Tom’s youth, I just didn’t find these characters particularly engaging or interesting. I had the same response to September in the earlier books, but those books’ strengths greatly outweighed that reaction. Here, there wasn’t enough to overcome the problem. One reason is that the plot as well was not all that compelling, feeling a bit scattered, episodic, and with the main characters sort of meandering around and reacting to encounters, some of which seemed to mostly become a reason for another catalog of neat ideas/names. Pacing was an issue, with the story slowing down in several places, and really for the first time in this series, I struggled with continuing on, putting the book down several times and picking it back up with little enthusiasm to finish, despite its relative brevity (just over 200 pages). Finally, while the other books have always been layered in terms of their audience, offering up rich opportunities for both adults and children, here that balance seemed slightly off.The Boy Who Lost Fairyland has its moments, and one can’t help but marvel at Valente’s inventiveness. But problems that have always lain below the surface in earlier books here rise to a more noticeable level and have a more deleterious effect on the reading experience, leaving me to wonder if perhaps my time in Fairyland is coming to a close, whether the series does or not.(original review on fantasyliterature.com)

3 of 3 people found the following review helpful. Beautifully written and incredibly creative! By Karissa Eckert This is the fourth book in the The Girl Who/Fairyland series by Valente. It was beautifully written in absolutely magical prose. I love Valente's writing style. This is a book to be read slowly and savoured. This series is supposed to wrap-up with the fifth book in the series, The Girl Who Raced Fairyland All the Way Home, which is set to release in March of 2016.This book takes a detour from September’s story and instead we follow a young troll named Hawthrone who is changed with a human baby and grows up as a very different type of young boy in a human family. Eventually he meets a girl named Tamerlaine and they find out that they are not human at all but from Fairy. They end up journeying to Fairyland and in the end their story just might have some rather large implications for September as well.Although this book is a detour from the main story featuring September it does end up tying into her story in an interesting way. I enjoyed it, although with all of this series, this is a book to be read slowly and savoured. There is a lot of wonderful, sparkling description that I absolutely love, but it’s not something you can read quickly.Valente has a very distinct writing style; it’s a bit ambiguous, very prose-like, incredibly creative, and full of amazing imagery. I absolutely adore her writing style, but it is something I only read occasionally because it does require some effort to read.I absolutely loved reading about a troll who thinks he is a boy; while he’s a fairly normal troll he is very unusual for a boy and being raised as a boy is tough on him. I loved the character of Hawthrone and how he struggles to be “normal” and his relief when he finds out he isn’t normal. I think a lot of people who are a bit different will be able to relate to the everyday human struggle to seem “normal”.There is a lot of humor in this book too; Hawthorne’s list of strange human rules is especially witty and hilarious. A lot of the things that happen throughout the story are very tongue in cheek.Overall I adored this latest installment in this wonderfully creative fantasy series. The writing is absolutely stunning with beautiful prose and incredibly creative imagery. I was nervous about detouring from September’s story at first, but I shouldn’t have been. Hawthorne’s story is just as engaging and interesting as September’s has been. If you love wildly creative fantasy and beautiful prose-like writing I definitely recommend this whole series to you.

0 of 0 people found the following review helpful. I love the stuffed wombat By Todd A. Kline I love the stuffed wombat. You will have to read it to find out what I mean.This book is interesting because it looks at the whole changeling thing from the point of a fairyland creature.

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